Download Film Earth One Amazing Day (2017) Naam

Bus-sized asteroid will fly between Earth and the moon TONIGHT just days after its discovery. Asteroid 2017 BS32 is between 11 and 25 metres (36 to 82 feet) wide. Killjoys Renewed for Two Final Seasons at Syfy 20 more episodes to go! Dark Matter Canceled at Syfy It lasted three seasons; Labor Day.

Canadian Film Fest. The 2. 01. 7 Canadian Film Fest/Harold Greenberg Fund“IT LIST”The Canadian Film Fest and The Harold Greenberg Fund proudly partnered on this unique opportunity for screenwriters. Open to Canadian screenwriters who've written a feature- length screenplay, the CFF’s Harold Greenberg Screenwriting competition received over 2. Alison Parker received $1.

1. Earth is a 2007 nature documentary film which depicts the diversity of wild habitats and creatures across the planet. The film begins in the Arctic in January of one.
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Grand Prize winner. In addition to the development funding, the Harold Greenberg Fund will provide feedback on the script as well as guidance throughout one development round. Alison Parker and runner- up Roslyn Muir also receive passes to the fantastic Toronto Screenwriting Conference, taking place in April 2. Here is the complete CFF/HGF 2. It List”, which is a list of the best unproduced scripts in Canada - a great resource for producers (for more scripts from previous years, click on SCRIPT CONTEST above): THE TOP FIVE: 1.

LOG by Alison Parker. A weekend of debauchery turns to terror for a group of friends staying at an old lumberjack camp when a bloodthirsty log springs to life and embarks on a murderous rampage. You read that right. A murderous piece of wood. Parker writes a bat- shit insane, beautifully crazy tale which is so strange, unique and terrible that it’s outrageously fun and a crime if it doesn’t get made. Was one of the funniest, fearless, most ridiculous scripts submitted this year, or any other. MATTER by Roslyn Muir.

A gambling addict and a young mother is overwhelmed with guilt when her boyfriend dies after a botched casino scam, so she attepts a cross- country road trip with her kids and her boyfriend’s body in the car, in order to bury him on an acre of land they won in a card game. A tense, slow- burn of a thriller, with high- stakes and even higher- emotions, Muir is able to interweave multiple storylines and themes all at once in an economical, well- paced and vigorous script full of excellent action and metaphor.

LIKE A THIEF IN THE NIGHT by Kyle D’Odorico. Part band story, part sister story, part cancer comedy and sexual awakening roadtrip film celebrating James Joyce, Like a Thief in the Night deftly navigates sorrow and laughter with aplomb and a wry familial smile. Revealing an interesting, dramatic and dynamic world of rock musicians and cancer treatments, relevant topics and themes culminate in a well- written screenplay. Watch Bluebird (2015) Hd. All points lead to the central relationship of the two sisters at the centre of D’Odorico’s story though, and as catastrophes waiting to happen, they are enticing and empathetic. RED SCARE by Pierre Larouche.

Montreal’s Park Extension in 1. Stavros is a hard- working husband and father who just opened a video store in a neighbourhood where the VCR is a luxury item most can’t afford and because of that, the business falters. The only man to help bail him out is not only the store’s best client, he might just be a KGB assassin. An everyday- man thrust into a spy thriller story, Larouche weaves an intricate tale of espionage, cold- war intrigue and VHS rentals. He deftly paints a picture of 8.

Montreal while reconnecting with 5. Commie hysteria in a satisfying, evocative and nostaligic tale. CONTACT: pierrelarouche@hotmail.

AGENT: nbrunet@omada. FRANCES LOVES OSCAR (WILDE) by York Davis.

In Victorian Canada, a female artist tenaciously loves Oscar Wilde, enduring his marriage to another woman and then coping with his emerging homosexual lifestyle, until she is forced to change to realize what true happiness really is. Phenomenal character development with exposition well disguised in the dialogue, the script’s pacing is steady, well orchestrated and crafted. This important, little- known Canadian Artist’s story would be a perfect fit for a CBC/BBC movie or mini- series. When her latest lover shows up, the four wounded individuals are forced to confront long- held secrets, guilt and agonizing loss.

Visually striking and with full pathetic fallacy with the storm fast approaching the storm within the cabin, with the right cast this could be a powerful, award- winning film. Expertly written, compelling and suprising despite it basically being a one- location movie. It’s still visually and disturbingly dynamic. Antle & Wayne Johnston. Set in pre- confederate Newfoundland, where a childhood secret fuels a love/hate relationship between an ambitious politician, Joey Smallwood, and a smart- assed, hard- drinking journalist. One is determined to hold onto the past, the other is hell- bent on forcing his homeland into the future. A superbly crafted tale about Newfoundland joining Canada as everything falls apart around it, it’s filled with sharp, witty dialogue, solid structure and engaging and compelling characters – the “Joey Smallwood Story” – which helped build the foundation of indeliable Newfoundland spirit.

From page one, Gaston is able to establish an eerie, foreboding nostalgia which uniquely carries through the entire script. The pacing, tension and well- crafted thriller elements are impeccable and the dialogue is buoyant and authentic, peppered with surprising, bain- tickling turns of phrase that creates a freshness and a familiarity – the type of dialogue relished by performers. Each character feels distinct and rich in backstory without heavy- handed exposition – which is a real credit to the writing.

We look forward to it being made. CONTACT: clownbog@gmail. MAN LOST WORLD by Frank Tremblay and Francesco Giannini.

A grieving postman agrees to help a new friend connect with his teenage son, but begins to befriend the kid, believing he would make a better father figure. A wonderfully crafted story, rich in character, pathos, humour and compassion, the script’s visuals and descriptive nature jumps off the page. A literal call- to- arms for people connecting and reconnecting, the themes, conflicts and contrasts in this script are well thought out and executed.

A fantastic read. CONTACT: ftremblay. NIGHT OWL by Joel Irwin. When an old- school projectionist discovers he’s been murdering people in his sleep, he must take (brain) matter into his own hands. A truly engaging horror hybrid with the potential to be stylish, artistic and refreshingly true to its genre roots, Irwin has created a high brow presentation that merges classic horror elements with the contemporary zombie aesthetic. The script is a page- turner with fantastic set pieces, jaw- dropping moments and delicious characters.

CONTACT: joel@algonquinartcentre. PORT OF CALL by Amir Kahnamouee. For as long as Ali can remember, he dreamt of leaving a revolution- stricken Iran with his father to forge a better life in Canada. But when an unexpected tragedy takes his father’s life, Ali is forced to embark on the journey alone. Topical, relevant and more important now than ever to tell, Kahnamouee has created a solidly structured, gripping and emotional immigrant story for our time. Set in Montreal’s rugged, dark, nighttime urban landscape – Port Of Call would be an amazing addition to this festival’s programming, creating a true Canadian experience through the eyes of someone trying to find his place in this great, contradictory and messy country of ours.

This year’s top honours go to Adam Garnet Jones’ Great Great Great, a film that took home the award for Best Feature, Best Performance in a Feature Film, as well as Best Screenplay, and director John Ainslie was awarded for Best Short for she came knocking. This year’s People’s Pick for Best Flick went to Edging and the William F. White Reel Canadian Indie award that includes a $5,0. Chris Scheuerman for Lost Solace. Not only did April Mullen’s Badsville win the nod of approval from the DGC Ontario for Best Director, but the film also earned Best Costume Design, a prize that was juried by the CAFTCAD. Filth City was awarded Best Comedy as well as Best Performance by an Ensemble.

Alan Bacchus from the Harold Greenberg Fund (HGF) was on hand to announce the winners for this year’s CFF/HGF Screenwriting Competition, with the Grand Prize of $1. Alison Parker for her screenplay, Log.

Earth (2. 00. 7 film) - Wikipedia. Earth is a 2. 00. The film begins in the Arctic in January of one year and moves southward, concluding in Antarctica in the December of the same year.

Along the way, it features the journeys made by three particular species—the polar bear, African bush elephant and humpback whale—to highlight the threats to their survival in the face of rapid environmental change. A companion piece to the 2. BBC/Discovery television series Planet Earth, the film uses many of the same sequences, though most are edited differently, and features previously unseen footage. Earth was co- directed by Alastair Fothergill, the executive producer of the television series, and Mark Linfield, the producer of Planet Earth's . It was co- produced by BBC Natural History Unit and Greenlight Media, with Discovery providing some of the funding. It was also the first film released under the Disneynature label. The same organisations collaborated on Fothergill's previous film, Deep Blue (2.

The Blue Planet. The British version of Earth was narrated by Patrick Stewart and the US version was narrated by James Earl Jones. Earth was released in cinemas internationally during the final quarter of 2. It makes its world premiere in Beijing. The film focuses on three particular species, the polar bear, African bush elephant and humpback whale.

Starting in the high Arctic in January, as the darkness of winter gives way to the sun, a mother polar bear is shown emerging from her den with two new cubs. She needs food and must lead her cubs to her hunting ground on the sea ice before it begins to break up. By April, the sun never sets, and by August all the sea ice has melted. The mother and cubs have retreated to dry land, but a male polar bear is trapped at sea and must seek out land by swimming. He reaches an island with a walrus colony but is too exhausted to make a successful kill. He dies from injuries sustained in a walrus attack.

African bush elephants are filmed from the air as they negotiate a dust storm in the Kalahari Desert. June is the dry season and they must follow ancient paths passed down through generations to reach watering holes.

A mother and calf are separated from the herd in the storm but manage to reach shelter. The matriarch leads the herd to a temporary watering hole, but they must share it with hungry lions and scavenger white- backed vultures.

The lions are shown attacking a solitary elephant at night, when their superior vision gives them the upper hand. The herd times its arrival at the Okavango Delta to coincide with seasonal floodwaters which transform the desert into a lush water world.

A humpback whale mother and calf are filmed from the air and underwater at their breeding grounds in the shallow seas of the tropics. There is nothing here for the mother to eat, so she must guide her calf on a 4,0. Antarctica, the longest migration of any marine mammal.

En route, they navigate dangerous seas where great white sharks are filmed breaching as they hunt. Sea lions, and sailfish and dolphins combine to bait a shoal of small fish. By October they enter polar waters, and by December the Antarctic sun has melted the sea ice to form sheltered bays. Here, the whales are shown feeding on krill by trapping them in bubble nets. The stories of these individual creatures are woven into the film alongside a great many additional scenes. The supporting cast of animals include mandarin ducklings filmed jumping from their tree hole nest, Arctic wolves hunting caribou, cheetah hunting Thomson's gazelle, elephants charge at white- backed vulture, birds of paradise displaying in the New Guinearainforest, Adelie penguins in the Antarctic and demoiselle cranes on their autumn migration across the Himalayas.

Time- lapse photography is used to show the blossoming of spring flowers, seasonal changes to deciduous forests, clouds sweeping up Himalayan valleys, and the growth of jungle spores and fungi. The narration is woven around the theme of anthropogenic environmental change. The three species it features are used to illustrate particular threats to the planet's wildlife. In the Arctic, rising temperatures are causing a greater area of sea ice to melt and threatening the polar bear with extinction as early as 2. Global warming is also disrupting the planet's weather systems and making seasonal rainfall patterns less predictable. This poses a threat to creatures like elephants, which must travel greater distances to reach water. Rising ocean temperatures have started to kill the plankton on which humpback whales and most other sea life depend.

The film ends with the message that . Just the right distance from its sun, with a perfect climate, it's been called the lucky planet. All life on Earth is built on chance and powered by the Sun, but the delicate balances of our world are faltering as the planet struggles to support our growing demands. This is the time to take stock of what we have, and what we stand to lose. Following Deep Blue, it is the second film of a five- picture deal between the two companies. The process of bringing Planet Earth and Earth to the screen took over 5 years.

With a budget of $4. Oceans. It was released across Europe in the fourth quarter of 2. In April 2. 00. 8, it was announced that Earth would be the first feature released by Disneynature, a newly formed film unit of the Walt Disney Studios and partnership with Walt Disney Pictures, specializing in natural history documentaries since True- Life Adventures. Walt Disney Studios Motion Pictures also handled distribution in Canada and Latin American countries. Its consensus stated: .

For its first weekend, it opened at #5, grossing $8,8. Sinister 2 (2015) Movie Online there. Despite dropping to #7 the next weekend, taking in $4,3. Sunday), and ending up with a two- week total of $2. It closed on July 3. US. Earth picked up an additional $7. It took over $3. 0 million in Germany alone, became one of the three highest- grossing films of the year in France and had the best opening of any natural history documentary in Spain. By contrast, in the UK Earth debuted on just 1.

It went on to gross more than 2 billion yen ($1. Its worldwide total of $1. Earth a commercial success and placed it second on the all- time list of highest- grossing nature documentaries, behind March of the Penguins.