Kidnap is trashy, incompetent, insulting—and almost fun. Cast. Halle Berry, Sage Correa, Chris Mc. Ginn, Lew Temple. Availability. Theaters everywhere August 4. Watch Full That Sugar Film (2015) 2002 on this page. Kidnap is an asinine child- abduction thriller spliced with a touch of the early Steven Spielberg TV movie Duel, and the most likable thing about it is that it is utter, unabashed garbage. The plot goes like this: Halle Berry, who spends most of Kidnap pretending to furiously wheel a Chrysler minivan with her eyes peeled to meth- binge dimensions, is a diner waitress in the middle of a divorce; she goes to some kind of amusement park with her 6- year- old son; he is yanked right in front of her into a doubtlessly hick- owned 1. Ford Mustang, complete with tinted windows, a leather hood bra, and rear plastic louvers; she gives chase.

This pursuit—that is, most of the film—is a laugh riot, probably for the wrong reasons, as movies shot, directed, edited, acted, and written this poorly are rarer than one would think. But a more competently made movie would probably be too smart for this script. The kidnappers pounce while Berry’s character, Karla, is taking a call from a divorce attorney (think of the children!), and of course she immediately loses her phone as the chase starts, which means that she has to get her cute little boy back the old- fashioned way: by tailgating the diabolical Mustang down the roads and wetland causeways of the great, tax- break- friendly state of Louisiana. The villains (Chris Mc. Ginn, Lew Temple) are in it for the money—not ransom, but the lucrative black- market trade in elementary- school- age children briefly left alone in public places. The business with the soon- to- be- ex- husband—he’s a real estate agent who left Karla for a pediatrician—is unrelated, for those wondering. There’s so much wreckage and pointless vehicular homicide on screen that at a certain point, one almost wants to tell the abductors that the kid just isn’t worth it.

Share this Rating. Title: Kidnap (2017) 6 /10. Want to share IMDb's rating on your own site? Use the HTML below. Kidnap is an asinine child-abduction thriller spliced with a touch of the early Steven Spielberg TV movie Duel, and the most likable thing about it is that it is. 143,567 likes · 2,082 talking about this. The film is a heart-stopping action thriller following a mother (Halle Berry) who will stop at nothing. Livinus Michael is a policeman who was part of the team that stormed the Magodo residence of notorious kidnap kingpin, Evans, on June 10th, 2017 and arrested him. Every single suspense set piece in this misbegotten movie resolves in a way that’s pummeling and brutal, never clever or resourceful.

There’s a moment, midway through the low-rent action flick “Kidnap,” in which things come to an abrupt and utter stop (a car has crashed into a tree), and the. Watch the Kidnap - Trailer #3 (2017). Karla McCoy (Halle Berry) lives a fulfilled life with her young son Frankie (Sage Correa). Kidnap (2017) on IMDb: Movies, TV, Celebs, and more. LATEST HEADLINES. Why Great Movies at the Telluride Film Festival Face Dire Futures — Critic’s Notebook. It’s more forgettable than loathsome, the kind of movie that occasionally rubs salt in your wounds by reminding you what could have been, but mostly just dissipates.

But then, Karla isn’t exactly a genius either. She’s a dumb protagonist for the ages, turning any sufficiently packed screening into one of those audience participation games where viewers shout suggestions or point out obvious blind spots that the movie then roundly ignores. The illogic pays off through instances of idiot- savant surrealism, of which there are enough to make it hard to pick a favorite. Is it the way Karla pats her van like a horse after it crashes into a tree? The moment when she pulls over and asks for information from an old- timey soda jerk, sweeping a small- town sidewalk in his apron and paper cap?

The awful digital effect of her boy being dangled from the front of the Mustang? The fact that she thinks to remove her cardigan in the middle of a high- speed chase? The unacknowledged mangling (and likely death) of a highway patrolman in the first third of the movie? A rammed pedestrian who ends up airborne during the chase and lands seemingly headfirst on the sidewalk, but is then shown safely rubbing her leg like some schoolyard boo- boo?

Some of these may seem unremarkable on their own, but strung together, the bad- fun- guffaw effect is cumulative. The director of this trash is Luis Prieto, who did the pointless British remake of Nicolas Winding Refn’s Pusher—a movie that had an ounce of style, mostly because it was doing its darnedest to copy Refn. In Kidnap, he’s maybe going for the relentless rat- tat- tat of late- period Tony Scott; there are some swirly camera movements, death- by- a- thousand- cuts sequences of cars flipping over, and even some fake flash frames added to an establishing shot to make it a little more Man On Fire. But Scott was a real gonzo stylist, and this movie mostly looks like a turd, filled with amateurish, off- putting dissolves and blurry, added- in- post zooms. The fact that it was shot by Flavio Labiano, the capable cinematographer of movies like Non- Stopand The. Day Of The Beast, boggles the mind.

Kidnap (2. 01. 7) - IMDb. The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter O'Dim, also known as the Man in Black, determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.